Table of Contents
- 1 What materials does Yinka Shonibare use?
- 2 What medium does Yinka Shonibare use?
- 3 What is Yinka Shonibare’s signature style?
- 4 How does Yinka Shonibare CBE employ pattern?
- 5 Where is Yinka Shonibare MBE from?
- 6 How does Yinka Shonibare challenge the idea of authentic African art?
- 7 What does Yinka Shonibare consider to be the effects of colonialism and imperialism?
- 8 What is significant about the fabric that Shonibare uses for his sculpture?
- 9 Who is Yinka Shonibare and what did he do?
- 10 Where was Yinka Shonibare’s wind sculpture installed?
What materials does Yinka Shonibare use?
A signature element of his work is his use of so-called Dutch wax-printed fabric, produced by means of a batiklike technique.
What medium does Yinka Shonibare use?
Why does Yinka Shonibare use African fabric?
Yinka acknowledges the roots of African prints, yet he decided to use them as unique tools to show his perspectives on sensitive subjects like colonialism, class, and race in the African context. He refers to Vlisco as “cross-bred” according to The New York Times article.
What is Yinka Shonibare’s signature style?
Shonibare’s practice questions the meaning of cultural and national definitions. His signature material is the brightly coloured ‘African’ batik fabric he buys at Brixton market in London. Batik was originally inspired by Indonesian design, mass-produced by the Dutch and eventually sold to the colonies in West Africa.
How does Yinka Shonibare CBE employ pattern?
Shonibare employs bright batik patterns in many of his works, which are often stereotyped as distinctly African. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities.
What does Yinka Shonibare do?
Where is Yinka Shonibare MBE from?
London, United Kingdom
Yinka Shonibare/Place of birth
How does Yinka Shonibare challenge the idea of authentic African art?
When a teacher asked him why he was not creating ‘authentic’ African pieces, Shonibare began to explore the idea of authenticity. And by deliberately restricting the size of the vibrant fabrics, he could create an opposition to the work of the traditional large-scale abstract artist.
How does Yinka Shonibare’s work Discuss colonialism?
British/Nigerian artist Yinka Shonibare MBE explores colonialism and the intricate ways in which it has shaped, and continues to shape, cultural identities. With regard to colonialism, the absence of heads implies loss of identity and, moreover, loss of humanity.
What does Yinka Shonibare consider to be the effects of colonialism and imperialism?
British/Nigerian artist Yinka Shonibare MBE explores colonialism and the intricate ways in which it has shaped, and continues to shape, cultural identities. With regard to colonialism, the absence of heads implies loss of identity and, moreover, loss of humanity. …
What is significant about the fabric that Shonibare uses for his sculpture?
As curator Okwui Enwezor has explained, Shonibare uses the fabrics “as a tool to investigate the place of ethnicity and the stereotype in modernist representation. The textile is neither Dutch nor African, therefore, the itinerary of ideas it circulates are never quite stable in their authority or meaning.”
What kind of fabric does Yinka Shonibare use?
A hallmark of his art is the brightly coloured Ankara fabric he uses. Because he has a physical disability that paralyses one side of his body, Shonibare uses assistants to make works under his direction. English artist known for his paintings on highly patterned African fabrics.
Who is Yinka Shonibare and what did he do?
Yinka Shonibare. In such works as Diary of a Victorian Dandy (1998; based on the narrative works of British artist William Hogarth ), Shonibare created a series of photographs featuring himself as a dandy in a variety of tableaux. He also portrayed the protagonist of an Oscar Wilde novel in the photographic series Dorian Gray (2001).
Where was Yinka Shonibare’s wind sculpture installed?
On 3 December 2016, one of Shonibare’s “Wind Sculpture” pieces was installed in front of the Smithsonian’s National Museum of African Art (NMAA) in Washington, DC. The painted fibreglass work, titled “Wind Sculpture VII”, is the first sculpture to be permanently installed outside the NMAA’s entrance.
When did Yinka Shonibare join the Saatchi Collection?
Shonibare’s work was included in the 1997 traveling exhibition Sensation: Young British Artists from the Saatchi Collection.